Preface (Philip R. DeVita)
1. An Anthropologist as Travel Writer (Robert Tonkinson)
Part I. UNEXPECTED WELCOMES TO OTHER WORLDS
2. Getting Below the Surface (Douglas Raybeck)
3. Of Softball Bats and Fishnets: A Summer in the Alaskan Bush (George Gmelch)
4. The First Rotumans (Alan Howard)
5. Navigating Nigerian Bureaucracies: or, “Why Can’t You Beg?” She Demanded (Elizabeth A. Eames)
6. Two Tales from the Trukese Taproom (Mac Marshall)
7. Reflections of a Shy Ethnographer: Foot-in-the-Mouth Is Not Fatal (Juliana Flinn)
8. Greasy Hands and Smelly Clothes: Fieldworker or Fisherman (Philip DeVita)
9. Of Teamwork, Faith, and Trust in Western Sumatra (Carol J. Colfer)
10. Some Consequences of a Fieldworker’s Gender for Cross-Cultural Research (Susan Dwyer-Shick)
11. Fieldwork That Failed (Linda L. Kent)
Part II. OTHER WORLDS, OTHER CULTURAL LOGICS AND REALITIES
12. Not a Real Fish: The Ethnographer as Inside Outsider (Roger M. Keesing)
13. Ethnocentrism and the Abelam (Richard Scaglion)
14. What Drives the Birds? Molting Ducks, Freshman Essays, and Cultural Logic (Phyllis Morrow)
15. What Did the Earthquake Mean? (Alice Pomponio)
16. Centering Lessons Learned from Mescalero Apaches (Claire R. Farrer)
17. Don’t Mess with Eagle Power! (James Clifton)
18. A Very Bad Disease of the Arms (Michael Kearney)
19. Too Many Bananas, Not Enough Pineapples, and No Watermelons at All (David Counts)
20. Lessons in Introductory Anthropology from the Bakairí Indians (Debra S. Picchi)
21. Arranging a Marriage in India (Serena Nanda)
22. ‘Pigs of the Forest’ and Other Unwritten Papers (Terence E. Hays)
23. Lesson from the Field: Gullibility and the Hazards of Money Lending (Cindy Hull)
24. To Die on Ambae: On the Possibility of Doing Fieldwork Forever (William L. Rodman and Margaret C. Rodman)
25. A Letter from the Field (Marty Zelenietz)
26. Turning Tears into Nothing (Miles Richardson)
27. “Did You?” (Ward H. Goodenough)
28. Munju (Trecie Melnick)
29. The Inseparability of Reason and Emotion in the Anthropological Perspective: Perceptions upon Leaving “The Field.” (Kris Heggenhougen)