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 The Choral Experience Literature, Materials, and Methods
Ray Robinson and Allen Winold
Described as “an unusual experience of communication between a composer and a singer,” the choral experience is thoroughly explored in this detailed and readable text. Designed specifically for the practicing choral conductor and the student training for a career in choral music, fundamentals of the choral experience such as vocal production, choral diction, and basic musicianship are included to help the singer extend his or her musical experience beyond the immediate rehearsals and performances of the choral ensemble to other realms of music. Special features include: provides numerous illustrations, tables, and examples intended to enrich the learning experience; includes end-of-chapter summaries; examines important components such as the vocal mechanism, posture, diction, and breathing and breath control; offers recommended reading lists for further in-depth study.
 $53.50 list, 510 pages 10-digit ISBN: 0-88133-650-5 13-digit ISBN: 978-0-88133-650-4 © 1976 Table of Contents
Part I. THE CHORAL EXPERIENCE 1. The Choral Experience in Historical Perspective 2. The Conductor and the Choral Experience 3. The Individual Singer and the Choral Experience Part II. REHEARSAL TECHNIQUE 4. Choral Sound 5. Choral Diction 6. Rehearsal and Performance Part III. BASIC MUSICIANSHIP 7. Rhythm 8. Pitch 9. Harmony and Texture 10. Form Part IV. PERFORMANCE PRACTICES 11. The Renaissance Period 12. The Baroque Period 13. The Classical Period 14. The Romantic Period 15. The Twentieth Century
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